Canadian performer Kendra Dyck has been described as possessing "a pleasant sweet toned soprano that she’s well capable of colouring for dramatic effect” [OperaRamblings]. She was a three-time semi-finalist of The Lotte Lenya Competition, reaching the finals in 2024, and was also a finalist in The CANIMEX Canadian Music Competition's 2019 Stepping Stone Competition. Most recently, Ms. Dyck enjoyed a double role debut in France with Festival Opéra Bastide in July 2025, alternating performances as Mercédès and Frasquita in Bizet's Carmen.

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An avid lover of contemporary music, Ms. Dyck sang the world premiere of Bekah Simm’s Juno Award-winning composition Bestiary I & II for soprano, ensemble and electronics as part of the 21C Music Festival in Toronto in 2020. She made her Koerner Hall debut in 2017 with the Royal Conservatory Orchestra in the world premiere of Michael Oesterle’s symphonic work Home, conducted by Tania Miller. Other notable performances include Mozart’s Requiem, Handel’s Messiah, Mozart's Vesperae solennes de confessore, Schubert’s Masses in C Major and G Major, and Schütz’ Musikalische Exequien. In addition to solo work, Ms. Dyck was a Sidgwick Scholar with The Toronto Orpheus Choir in their 2018-2019 season under the direction of Robert Cooper, and was an original member of the Nota Bene Baroque Players and Singers Ensemble, conducted by Howard Dyck, with whom she sang for five seasons.